Patronage/Recognition

PSA (Photographic Society of America) 2022-446

GPU (Global Photographic Union) L220123

 

Organizer & Contacts

Camera Lucida Club, Podgorica, Montenegro

Chairman of the Photo Contest: Dusica Kalezic

Mob. +38162255135

cameralucida.foto@gmail.com

 

Sections

1. Nature (color/monochrome) (PSA ND, GPU)

2. Portrait (only color) PSA PIDC, GPU). Monochrome images may not be entered in PID Color sections.

3. Street (color/monochrome) PSA PTD, GPU)

4. Travel (color/monochrome) (PSA PTD, GPU)

5. Macro (color/monochrome) (PSA ND, GPU)

6. Photojournalism (color/monochrome) (PSA PJD, GPU)

7. Experiment (only color) PSA PIDC, GPU). Monochrome images may not be entered in PID Color sections.

8. Open Color (only color) PSA PIDC, GPU). Monochrome images may not be entered in PID Color sections.

9. Open Monochrome (only monochrome) (PSA PIDM, GPU). Color images may not be entered in PID Monochrome sections.

 

Entry fee

Depending on the number of sections participant applies, the fee cost as follow:

Any 3 Sections = 10€ (12$)

Any 6 Sections = 15€ (17$)

All Sections = 18€ (20$)

 

For the Group participation we offer a discount:

For 5 -10 persons = 10% discount

For 10 - 20 persons = 15% discount

The participation fee is mandatory for all participants of the exhibition.

PayPal is available for payment online. The participants paying the participation fee through PayPal must specify their names and surnames. On the condition that there is an inconsistency between sent photos and PayPal payments, the photos will not be evaluated. The works of the authors who did not pay the fee would not be taken into consideration. The entry fee can be paid via PayPal through our website: https://lucidaphoto.com/or can be paid directly to the Pay Pal connected email: gerbislav@gmail.com

Other ways of payment

Western Union

IN EUROS (€) ONLY

The payment information if you want to pay via Western Union on the following email: cameralucida.foto@gmail.com

 

Exhibition calendar

Closing date: 06 August 2022

Judging completed: 17 – 20 August 2022

Notification send: 04 September 2022

EDAS Sending: 20 September 2022

Online Gallery: 20 September 2022

Exhibitions of Prints and Digital Projections: 30 September and 02 October 2022

Sending of catalogs and awards: 06 November 2022

All participants will receive personal report card notifications via e-mail, showing all acceptances and awarded images. Also, Acceptance Certificates (as PDF file) will be posted on personal email addresses. The results of the Exhibition will also be published on organizers website.

 

Judges

The works will be judged by the expert jury:

1. Vojislav Lukovic, EFIAP, Serbia

2. Oliver Vukmirovic, PPSA, Bosnia and Herzegovina

3. Zoran Zdravev, *KMFNFU, EPSA, C*MoL, North Macedonia

Alternative: Branko Cvijic, Academy Master of Scenography Art, Serbia

 

Judge Methods

The Jury Team will judge the digital images by remote online judging.

For the on-site and for remote judging, the Jury Team will use the color-calibrated monitors.

The acceptance rate in any single section may not exceed 35%

 

Awards

The Jury will assign over 140 awards  + 1 Grand PRIX Award and 9 Special Chairman Choice Awards as follows:

1. Nature (color/monochrome) ND

PSA - Gold medal and 3 HM Ribbons

GPU - Gold medal

Camera Lucida - Gold, Silver, Bronze medal and 8 HM Ribbons

2. Portrait (Only Color) PIDC

PSA - Gold medal and 3 HM Ribbons

GPU - 2 HM Ribbons

Camera Lucida - Gold, Silver, Bronze medal and 8 HM Ribbons

3. Street (color/monochrome) PTD

PSA - Gold medal and 3 HM Ribbons

GPU - 2 HM Ribbons

Camera Lucida - Gold, Silver, Bronze medal and 8 HM Ribbons

4. Travel (color/monochrome) PTD

PSA - Gold medal and 3 HM Ribbons

GPU - Gold medal

Camera Lucida - Gold, Silver, Bronze medal and 8 HM Ribbons

5. Macro (color/monochrome) ND

PSA - Gold medal and 3 HM Ribbons

GPU - 1 HM Ribbon

Camera Lucida - Gold, Silver, Bronze medal and 8 HM Ribbons

6. Photojournalism (color/monochrome) PJD

PSA - Gold medal and 3 HM Ribbons

GPU - Silver medal

Camera Lucida - Gold, Silver, Bronze medal and 8 HM Ribbons

7. Experiment (Only Color) PIDC

PSA - Gold medal and 3 HM Ribbons

GPU - 2 HM Ribbons

Camera Lucida - Gold, Silver, Bronze medal and 8 HM Ribbons

8. Open Color (Only Color) PIDC

PSA - Gold medal and 3 HM Ribbons

GPU - Bronze medal

Camera Lucida - Gold, Silver, Bronze medal and 8 HM Ribbons

9. Open Monochrome (Only Monochrome) PIDM

PSA - Gold medal and 3 HM Ribbons

GPU - 1 HM Ribbon

Camera Lucida - Gold, Silver, Bronze medal and 8 HM Ribbons

 

Delivering Catalog

All entrants will be able to download an exclusively prepared PDF catalog.

The catalog will be digitally published with awarded photographs and with a certain number of photographs chosen by the organizer of the Exhibition, without financial compensation for the author's royalties.

The organizer will take all possible care while handling the email, awards, and catalogs, however, we assume no liability for damages and losses during shipment.

 

Exhibition Requirements

IMAGE AND ENTRY REQUIREMENTS This exhibition is open to anyone; however, an entry may be rejected when the Sponsor or the Exhibition Organizers, in their reasonable discretion, believes the entry does not conform to exhibition rules and these Conditions of Entry. Membership in any photographic organization is not required.

Sanctions: Entries will not be accepted from any entrant who is currently sanctioned by PSA.

PSA Star Ratings

To receive proper Star ratings credit from PSA, entrants must provide their names and country exactly the same in each exhibition. Aliases are not permitted. Please contact PSA in the event of name changes or relocating to another country.

Image Creation
Entries must originate as photographs (image captures of objects via light sensitivity) made by the entrant on photographic emulsion or acquired digitally.

Certification:

By virtue of submitting an image, the entrant certifies the work as his or her own (.Images may not incorporate elements produced by anyone else (for example: clip art, images or art by others downloaded from the Internet). Aliases are not allowed. The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low-resolution posting on a website.  Note: Entrants who indicate that their images may not be reproduced or used “will not be eligible for awards” or inclusion in audio-visuals of the exhibition “and could be subject to disqualification” by the exhibition sponsors. The exhibition assumes no liability of any misuse of copyright

Alteration and Computer Generation Subject to Divisional restrictions (particularly Nature, Photo Travel, and Photojournalism) images may be altered, either electronically or otherwise, by the maker. Adjustments to enhance images or creatively modify images are allowed providing the underlying photograph is retained in a way that is obvious to the viewer.  Images may not be constructed entirely with a computer and must be the sole work of the author

Re-use of accepted images: Once an image has been accepted in this exhibition it may not be entered again in any future instances of this exhibition.  It may, of course, be entered in any other PSA/FIAP recognized exhibitions but must always have the same title.

Entry: An Entry consists of, up to and including, four (4) images entered by a single entrant into the same Section. An entrant may only enter a specific Section once.

Titles: Each image must have a unique title that is a description of the image. That unique title must be used for entry of that image or of an identical Image  into any and all PSA-Recognized exhibitions. Titles must be 35 characters or fewer. No titles may be visible to the judges, and nothing in the image may identify the maker. Titles may not include file extensions such as .jpg or .jpeg (or any other camera capture filenames such as IMG 471). Titles may not consist of personal identifiers possibly augmented by a number; or include words such as “untitled” or “no title”. Titles may not consist solely of numbers unless those numbers are prominently contained within the image, such as a contestant number in a race.

Color and Monochrome:

Color and Monochrome images from the same capture that share substantial pictorial content in common will be considered the same image and must be given the same title.

 

Submission of Works

To participate in the 1st International Salon Dalia 2022 authors will apply with black & white or color works. The maximum number of photographs per theme is 4. No title or identification of the maker shall be written anywhere on the face of an image. Photographs are accepted in electronic form only.

Format of photographs: JPG
Size of photographs: The image size should be 1920 x 1080 pixels (the horizontal side of the photo must be 1920px), and the resolution should be 300 dpi
JPG File compression should be between 7 and 12
The memory size of the file must not exceed 2 Mb
 

File naming

The filename must be the same as the artwork name.
Filename must be in English, unique, NOT containing special symbols. Example: morning.jpg. Only English letters (a-z) are allowed.
Words such as “Untitled” and “No Title” are not acceptable as part or all of an image’s title, nor are camera capture filename (ex. DSC_00123)

 

Entry form

Authors must fill out an online entry form. The entry form and contact info must be written in one of the official FIAP languages.

An entrant’s images will not be presented to the judges consecutively.  An entrant’s four images will be distributed throughout four rounds of judging in that section.  Distribution of images will be in the same round order as submitted by the entrant.

An image may be entered in only one section.

 

DATA PROTECTION

By entering this exhibition, you are explicitly consenting to the personal details you have supplied, including email addresses, being held, processed and used by the exhibition organizers for purposes associated with this exhibition. You also explicitly consent to such information being sent to organizations that have accorded official recognition, patronage or accreditation to this exhibition. You acknowledge and accept that entering this exhibition means that the status and results of your entry may be made public.

SUBJECT MATTER AND SECTION DEFINITIONS

Statement on Subject Matter applicable to all sections

The fundamental rule that must be observed at all times and applies to all sections offered in exhibitions with FIAP patronage or PSA recognition is that the welfare of living creatures is more important than any photograph. This means that practices such as baiting of subjects with a living creature and removal of birds from nests, for the purpose of obtaining a photograph, are highly unethical, and such photographs are not allowed in any exhibition with FIAP patronage or PSA recognition.  Under no circumstances may a living creature be placed in a situation where it will be killed, injured, or stressed for the purpose of obtaining a photograph. This rule applies regardless of whether or not the creature being killed, injured or stressed is visible in the captured image.

There are also concerns about the use of aerial photography, drones, helicopters, low flying aircraft. These should not cause any interference with other individuals or animals which causes a disturbance in their normal activity or disrupt the way any individuals or animals interact with their environment.

Entry into this exhibition is conditional on accepting these policies.

The content of images must comply with these General Conditions and with the Division and Section definitions listed in these conditions. Images that - in the sole opinion of the judges or the Exhibition Organizers - do not comply, will be disqualified so the entrant may be aware of the problem when considering entry into other exhibitions with FIAP patronage/PSA recognition.

Further details on the PSA's drone policy may be found at https://psa-photo.org/index.php?psa-policies#drone

 

PSA Monochrome Definition

An image is considered to be Monochrome only if it gives the impression of having no color (i.e. contains only shades of grey which can include pure black and pure white) OR it gives the impression of being a greyscale image that has been toned in one color across the entire image. (For example by Sepia, red, gold, etc.)  A greyscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi-toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a Color Work.

Greyscale Monochrome images may be entered for Nature, Photojournalism and Photo Travel but toned images are not permitted for these sections.

Monochrome images may not be entered in Pictorial Prints or PID Color Sections.

Separate sections must be offered for Color Pictorial Prints, Monochrome Pictorial Prints, PIDC and PIDM.

 

PSA Nature Definition

Nature photography records all branches of natural history except anthropology and archaeology. This includes all aspects of the physical world, both animate and inanimate, that have not been made or modified by humans.

Nature images must convey the truth of the scene that was recorded. A well-informed person should be able to identify the subject of the image and be satisfied that it has been presented honestly and that no unethical practices have been used to control the subject or capture the image. Images that directly or indirectly show any human activity that threatens the life or welfare of a living organism are not allowed.

The most important part of a Nature image is the nature story it tells. High technical standards are expected and the image must look natural.

Objects created by humans, and evidence of human activity, are allowed in Nature images only when they are a necessary part of the Nature story.

Photographs of human-created hybrid plants, cultivated plants, feral animals, domesticated animals, human-created hybrid animals and mounted or preserved zoological specimens are not allowed.

Images taken with subjects under controlled conditions, such as zoos, are allowed.

Controlling live subjects by chilling, anaesthetic or any other method of restricting natural movement is not allowed.

No modification that changes the truth of a Nature image is allowed.  Images may be cropped but no other technique that removes, adds or moves any part of the image is allowed.

Techniques that remove elements added by the camera, such as dust spots, digital noise, and lens flare are allowed.

Complete conversion of color images to greyscale monochrome is allowed. Partial conversion, toning and infrared captures or derivations are not allowed.

Multiple images of the same subject that are combined in-camera or with software by focus stacking, exposure blending or stitching (images taken consecutively and combined by overlapping) are allowed

Attention is drawn to the PSA Statement on Subject Matter which applies to all sections.

Vignettes and Borders

For the purpose of this exhibition, vignettes are not allowed in Nature Digital images. Any border added must be a single border of black or white, no greater than 3 -5 pixels in width. 

 

Photo Travel Definition

A Photo Travel image expresses the characteristic features or culture of a land as they are found naturally. There are no geographical limitations. Images from events or activities arranged specifically for photography, or of subjects directed or hired for photography are not permitted. Close up pictures of people or objects must include features that provide information about the location.

Techniques that add, relocate, replace or remove any element of the original image, except by cropping, are not permitted. The only allowable adjustments are removal of dust or digital noise, restoration of the appearance of the original scene, and complete conversion to greyscale monochrome. Other derivations, including infrared, are not permitted. All images must look natural.

Vignettes and Borders

For the purpose of this exhibition, vignettes are not allowed in Photo Travel Digital images.  Any border added must be a single border of black or white, no greater than 3 -5 pixels in width. 

 

PSA Photojournalism Definition

Photojournalism entries are images with informative content and emotional impact, reflecting the human presence in our world. The journalistic (story-telling) value of the image should receive priority over pictorial quality. Images that misrepresent the truth, such as those from events or activities arranged specifically for photography, or of subjects directed or hired for photography, are not eligible.

Techniques that add, relocate, replace, remove or change any element in the original scene, except by cropping, are not permitted. The only allowable modifications are removal of dust, scratches or digital noise and restoration of the appearance of the existing scene, or complete conversion to full monochrome. Other derivations, including infrared, are not eligible.

Vignetting and Borders

Vignettes are not allowed in Photojournalism images. Any border added must be a single border of black or white, no greater than 3-5 pixels in width.

 

PSA Rules

If at any time, it is determined in the reasonable discretion of the exhibition organizer or the judges before, during, or after the judging of an exhibition that an entrant has submitted entries where one or more images may fail to comply with these Conditions of Entry, including the stated definitions, the exhibition organizers reserve the right to delete the entry from the exhibition and void any or all acceptances or awards in connection with the exhibition. Fees may be forfeited or refunded in these circumstances. The entrant acknowledges that the decision of the exhibition organizers or the judges is final

In order to ensure that images comply with the Conditions of Entry and definitions, the exhibition organizers may carry out reasonable measures to verify that:

a) the images are the original work of the entrant and

b) the images comply with the rules and definitions as set out in these Conditions of Entry

These steps include but are not limited to, questioning any entrant, requiring the submission of RAW files or other digital files representing the original capture of the submitted image(s), and confronting the entrant with evidence that one or more submitted images fails to comply with the Conditions of Entry (also known as Entry Rules), and offering the entrant a reasonable opportunity to provide counter-evidence to refute the exhibition organizer’s evidence by a set deadline. Such entries that are not cleared or are still questionable after the entrant has presented evidence may be considered in breach of these Conditions of Entry and declined. Such entries may be referred to PSA for further investigation of possible ethics violations

PSA retains the right to investigate in any way all complaints/suspicions of breaches of entry conditions, impose sanctions if deemed necessary, void the acceptances of any image found to violate the PSA rules, include the entrant’s name on the list of sanctions provided to Exhibitions, and share such investigations with FIAP. Entrants automatically agree to these terms by the act of entering the Exhibition and agree to cooperate with any investigation.

If another party is submitting images on the entrant’s behalf, the entrant will still be held responsible for adhering to these Conditions of Entry (Entry Rules) and will be subject to sanction for any violations of these Conditions of Entry and PSA’s Statement of Ethics that may result. If another party is processing images for an entrant or submitting images on the entrant’s behalf, the entrant will still be held responsible for adhering to all Conditions of Entry including the specific conditions in the relevant definitions.

PSA NOTICE: When an entrant fills in the Entry Form to submit an entry the entrant will see a feature to affirm he or she has read these Conditions of Entry when he or she fills out the entry form. If the entrant does not so affirm the entry will not be submitted.